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Doreen Payne Petyarre / Women Collecting Bush Food
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Total: $95.00 Artlandish Aboriginal Art
Doreen Payne Petyarre / Women Collecting Bush Food
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Artwork is accompanied by Artist Profile and Certificate of Authenticity
Sandra Petyarre Jones / Women Gathering Bush Foods
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Total: $95.00 Artlandish Aboriginal Art
Sandra Petyarre Jones / Women Gathering Bush Foods
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Artwork is accompanied by Artist Profile and Certificate of Authenticity
Agnes Jones Petyarre / Collecting Bush Food
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Total: $95.00 Artlandish Aboriginal Art
Agnes Jones Petyarre / Collecting Bush Food
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Artwork is accompanied by Artist Profile and Certificate of Authenticity
Small Boab Nut
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Total: $65.00 Artlandish Aboriginal Art
Small Boab Nut
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Please Note: Image shown is not actual product. Image is an indication of a carved boab nut only. All nuts are individually carved and carvings vary with each nut. _________ BOAB NUTS OF THE KIMBERLEY The Boab Tree is a mystery in itself - purportedly native to Madagascar- it grows in Australia only in the Kimberley Region of West Australia and the Victoria River area of the Northern Territory. Its trunk is voluminous- often trees are seen growing in "triplicate" (three trunks intertwined)- its branches spiderlike in comparison with the bulky trunk - impressively monolithic to say the least. Aboriginal people used it for shelter- and its large "nuts" for food and medicinal purposes. The early white settlers often chose particular trees as meeting places on stock routes when droving - and then there is the Prison Boab near Derby- able to hold overnight up to ten prisoners en route to the next town. The Boab Tree has now become part of the Art of the Aboriginal people - the large nuts provide a wonderful aven
Medium Boab Nut
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Total: $85.00 Artlandish Aboriginal Art
Medium Boab Nut
Artlandish Aboriginal Art
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Please Note: Image shown is not actual product. Image is an indication of a carved boab nut only. All nuts are individually carved and carvings vary with each nut. _________ BOAB NUTS OF THE KIMBERLEY The Boab Tree is a mystery in itself - purportedly native to Madagascar- it grows in Australia only in the Kimberley Region of West Australia and the Victoria River area of the Northern Territory. Its trunk is voluminous- often trees are seen growing in "triplicate" (three trunks intertwined)- its branches spiderlike in comparison with the bulky trunk - impressively monolithic to say the least. Aboriginal people used it for shelter- and its large "nuts" for food and medicinal purposes. The early white settlers often chose particular trees as meeting places on stock routes when droving - and then there is the Prison Boab near Derby- able to hold overnight up to ten prisoners en route to the next town. The Boab Tree has now become part of the Art of the Aboriginal people - the large nuts provide a wonderful aven
Connie Collins Nungarai / Women Collecting Honey Ants
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Total: $95.00 Artlandish Aboriginal Art
Connie Collins Nungarai / Women Collecting Honey Ants
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ARTIST PROFILE Connie Collins Nungarai Connie was born at Yuendumu- NT. She now resides in Kununurra- East Kimberley- with frequent visits back to her home country. She is a meticulous artist with a most distinctive style – Connie’s immediate family include the best of the Walpiri painters- who have made a huge impression on the world of aboriginal art. They are known for their bright but traditional intricate artworks. Connie is the niece of Michael Nelson Jagamarra- one of Australia’s best known international artists – he was commissioned to execute the design for the breathtaking mural at the Sydney Opera House. Her subject matter is wide but like many of the desert artists- focuses on food gathering- bush tucker and traditional dreaming stories.
Large Boab Nut
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Total: $115.00 Artlandish Aboriginal Art
Large Boab Nut
Artlandish Aboriginal Art
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Please Note: Image shown is not actual product. Image is an indication of a carved boab nut only. All nuts are individually carved and carvings vary with each nut. _________ BOAB NUTS OF THE KIMBERLEY The Boab Tree is a mystery in itself - purportedly native to Madagascar- it grows in Australia only in the Kimberley Region of West Australia and the Victoria River area of the Northern Territory. Its trunk is voluminous- often trees are seen growing in "triplicate" (three trunks intertwined)- its branches spiderlike in comparison with the bulky trunk - impressively monolithic to say the least. Aboriginal people used it for shelter- and its large "nuts" for food and medicinal purposes. The early white settlers often chose particular trees as meeting places on stock routes when droving - and then there is the Prison Boab near Derby- able to hold overnight up to ten prisoners en route to the next town. The Boab Tree has now become part of the Art of the Aboriginal people - the large nuts provide a wonderful avenu
Connie Collins Nungarai / Women Collecting Honey Ants
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Total: $120.00 Artlandish Aboriginal Art
Connie Collins Nungarai / Women Collecting Honey Ants
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ARTIST PROFILE Connie Collins Nungarai Connie was born at Yuendumu- NT. She now resides in Kununurra- East Kimberley- with frequent visits back to her home country. She is a meticulous artist with a most distinctive style – Connie’s immediate family include the best of the Walpiri painters- who have made a huge impression on the world of aboriginal art. They are known for their bright but traditional intricate artworks. Connie is the niece of Michael Nelson Jagamarra- one of Australia’s best known international artists – he was commissioned to execute the design for the breathtaking mural at the Sydney Opera House. Her subject matter is wide but like many of the desert artists- focuses on food gathering- bush tucker and traditional dreaming stories.
Margaret Davis Kemarre / Wild Bush Fruit
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Total: $250.00 Artlandish Aboriginal Art
Margaret Davis Kemarre / Wild Bush Fruit
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Connie Collins Nungarai / Honey Ant Dreaming
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Total: $290.00 Artlandish Aboriginal Art
Connie Collins Nungarai / Honey Ant Dreaming
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ARTIST PROFILE Connie Collins Nungarai Connie was born at Yuendumu- NT. She now resides in Kununurra- East Kimberley- with frequent visits back to her home country. She is a meticulous artist with a most distinctive style – Connie’s immediate family include the best of the Walpiri painters- who have made a huge impression on the world of aboriginal art. They are known for their bright but traditional intricate artworks. Connie is the niece of Michael Nelson Jagamarra- one of Australia’s best known international artists – he was commissioned to execute the design for the breathtaking mural at the Sydney Opera House. Her subject matter is wide but like many of the desert artists- focuses on food gathering- bush tucker and traditional dreaming stories.
Deanne Peters / Bush Onions
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Total: $290.00 Artlandish Aboriginal Art
Deanne Peters / Bush Onions
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ARTIST PROFILE Deanne Peters Deanne Peters was born 14/05/1987 in Derby- Western Australia. She grew up and schooled at Turkey Creek and then Darwin. She is of the Kitja skin and her bush name is Nangala. After completing her education in Darwin- she returned to Turkey Creek (Warmun) and now spends her time between Turkey Creek and Kununurra. She is the eldest daughter of June Peters- an established ochre artist. Deanne is a promising young artist with a natural talent and enquiring mind. She has leant the Dreaming Stories of her culture from her mother and her extended family. Like June- she is able to paint the wide expanse of Kitja land right through to the Northern Territory country of her grandfather. She is a fourth generation ochre artist- a well presented young lady whose career is certain to flourish. Deanne is now painting seriously as a profession and has been quickly collected by astute buyers. Her works are eye-catching- well executed and her content wide. Sure to succeed in th
Deanne Peters / Bush Onions
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Total: $290.00 Artlandish Aboriginal Art
Deanne Peters / Bush Onions
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ARTIST PROFILE Deanne Peters Deanne Peters was born 14/05/1987 in Derby- Western Australia. She grew up and schooled at Turkey Creek and then Darwin. She is of the Kitja skin and her bush name is Nangala. After completing her education in Darwin- she returned to Turkey Creek (Warmun) and now spends her time between Turkey Creek and Kununurra. She is the eldest daughter of June Peters- an established ochre artist. Deanne is a promising young artist with a natural talent and enquiring mind. She has leant the Dreaming Stories of her culture from her mother and her extended family. Like June- she is able to paint the wide expanse of Kitja land right through to the Northern Territory country of her grandfather. She is a fourth generation ochre artist- a well presented young lady whose career is certain to flourish. Deanne is now painting seriously as a profession and has been quickly collected by astute buyers. Her works are eye-catching- well executed and her content wide. Sure to succeed in th
Connie Collins Nungarai / Honey Ant Dreaming
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Total: $290.00 Artlandish Aboriginal Art
Connie Collins Nungarai / Honey Ant Dreaming
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ARTIST PROFILE Connie Collins Nungarai Connie was born at Yuendumu- NT. She now resides in Kununurra- East Kimberley- with frequent visits back to her home country. She is a meticulous artist with a most distinctive style – Connie’s immediate family include the best of the Walpiri painters- who have made a huge impression on the world of aboriginal art. They are known for their bright but traditional intricate artworks. Connie is the niece of Michael Nelson Jagamarra- one of Australia’s best known international artists – he was commissioned to execute the design for the breathtaking mural at the Sydney Opera House. Her subject matter is wide but like many of the desert artists- focuses on food gathering- bush tucker and traditional dreaming stories.
Bessie Malarvie / My Desert Country
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Total: $590.00 Artlandish Aboriginal Art
Bessie Malarvie / My Desert Country
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ARTIST PROFILE Bessie Malarvie Bessie Malarvie was born 1st April 1958 at Kirkimbie Station in the Northern Territory. She is of Jaru (desert) skin. Bessie attended school at Halls Creek- however at age 13 was promised bride to a man living on Nicholson Station- adjoining Kirkimbie. She therefore had to cease her schooling and lived on Nicholson- carrying out domestic duties for the Manager- Len Hill. She says- as does International Artist Jock Mosquito who was head stockman on Nicholson and with whom Bessie grew up- that Len was a great person to work for. Bessie then moved for a short time to Mistake Creek Station- eventually relocating with her sister- artist Kitten Malarvie (sometimes spelt Moolarvie) to Kununurra in 1977. Both Bessie and Kitten recall the very early days of the fledgling town of Kununurra when there “wasn’t much here” and they both carved boab nuts and made artefacts for their bread- tea and sugar. Bessie had no children of her own- but has brought up many nieces and neph
Stan Brumby / Three Tribes
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Total: $690.00 Artlandish Aboriginal Art
Stan Brumby / Three Tribes
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ARTIST PROFILE Stan Brumby Stan was born Halls Creek c. 1933. He worked as a stockman in the East Kimberley for most of his career- and lists many prominent stations – Legune- Newry- Rosewood- Argyle- Auvergne- Bradshaw and Victoria River Downs just over the Northern Territory Border. Stan has been painting for over ten years – he attends the Garma Festival regularly- regarded as one of Australia’s most important cultural events. He is a highly respected Jaru Elder and known teacher of language and culture. Through his Grandfather- he is regarded as one of the Traditional Custodians of the Wolf Creek Crater area- via Halls Creek. This area is the content of his strong- raw and realistic painting style. Stan was instrumental in assisting Dr. Peggy Reeves-Sanday- Professor of Anthropology at University of Pennsylvania- during her visits to his country. Dr. Reeves-Sanday’s father- geologist Frank Reeves- discovered the Crater after two expeditions on land following a flight over the area- and owed h
Bessie Malarvie / Waterholes
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Total: $690.00 Artlandish Aboriginal Art
Bessie Malarvie / Waterholes
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ARTIST PROFILE Bessie Malarvie Bessie Malarvie was born 1st April 1958 at Kirkimbie Station in the Northern Territory. She is of Jaru (desert) skin. Bessie attended school at Halls Creek- however at age 13 was promised bride to a man living on Nicholson Station- adjoining Kirkimbie. She therefore had to cease her schooling and lived on Nicholson- carrying out domestic duties for the Manager- Len Hill. She says- as does International Artist Jock Mosquito who was head stockman on Nicholson and with whom Bessie grew up- that Len was a great person to work for. Bessie then moved for a short time to Mistake Creek Station- eventually relocating with her sister- artist Kitten Malarvie (sometimes spelt Moolarvie) to Kununurra in 1977. Both Bessie and Kitten recall the very early days of the fledgling town of Kununurra when there “wasn’t much here” and they both carved boab nuts and made artefacts for their bread- tea and sugar. Bessie had no children of her own- but has brought up many nieces and neph
Stan Brumby / Lost Uncle
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Total: $760.00 Artlandish Aboriginal Art
Stan Brumby / Lost Uncle
Artlandish Aboriginal Art
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ARTIST PROFILE Stan Brumby Stan was born Halls Creek c. 1933. He worked as a stockman in the East Kimberley for most of his career- and lists many prominent stations – Legune- Newry- Rosewood- Argyle- Auvergne- Bradshaw and Victoria River Downs just over the Northern Territory Border. Stan has been painting for over ten years – he attends the Garma Festival regularly- regarded as one of Australia’s most important cultural events. He is a highly respected Jaru Elder and known teacher of language and culture. Through his Grandfather- he is regarded as one of the Traditional Custodians of the Wolf Creek Crater area- via Halls Creek. This area is the content of his strong- raw and realistic painting style. Stan was instrumental in assisting Dr. Peggy Reeves-Sanday- Professor of Anthropology at University of Pennsylvania- during her visits to his country. Dr. Reeves-Sanday’s father- geologist Frank Reeves- discovered the Crater after two expeditions on land following a flight over the area- and owed h
Stan Brumby / Snake Dreaming
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Total: $780.00 Artlandish Aboriginal Art
Stan Brumby / Snake Dreaming
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ARTIST PROFILE Stan Brumby Stan was born Halls Creek c. 1933. He worked as a stockman in the East Kimberley for most of his career- and lists many prominent stations – Legune- Newry- Rosewood- Argyle- Auvergne- Bradshaw and Victoria River Downs just over the Northern Territory Border. Stan has been painting for over ten years – he attends the Garma Festival regularly- regarded as one of Australia’s most important cultural events. He is a highly respected Jaru Elder and known teacher of language and culture. Through his Grandfather- he is regarded as one of the Traditional Custodians of the Wolf Creek Crater area- via Halls Creek. This area is the content of his strong- raw and realistic painting style. Stan was instrumental in assisting Dr. Peggy Reeves-Sanday- Professor of Anthropology at University of Pennsylvania- during her visits to his country. Dr. Reeves-Sanday’s father- geologist Frank Reeves- discovered the Crater after two expeditions on land following a flight over the area- and owed h
Bessie Malarvie / Womens Ceremony
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Total: $790.00 Artlandish Aboriginal Art
Bessie Malarvie / Womens Ceremony
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ARTIST PROFILE Bessie Malarvie Bessie Malarvie was born 1st April 1958 at Kirkimbie Station in the Northern Territory. She is of Jaru (desert) skin. Bessie attended school at Halls Creek- however at age 13 was promised bride to a man living on Nicholson Station- adjoining Kirkimbie. She therefore had to cease her schooling and lived on Nicholson- carrying out domestic duties for the Manager- Len Hill. She says- as does International Artist Jock Mosquito who was head stockman on Nicholson and with whom Bessie grew up- that Len was a great person to work for. Bessie then moved for a short time to Mistake Creek Station- eventually relocating with her sister- artist Kitten Malarvie (sometimes spelt Moolarvie) to Kununurra in 1977. Both Bessie and Kitten recall the very early days of the fledgling town of Kununurra when there “wasn’t much here” and they both carved boab nuts and made artefacts for their bread- tea and sugar. Bessie had no children of her own- but has brought up many nieces and nephe
Stan Brumby / Karin Country My Country
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Total: $820.00 Artlandish Aboriginal Art
Stan Brumby / Karin Country My Country
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ARTIST PROFILE Stan Brumby Stan was born Halls Creek c. 1933. He worked as a stockman in the East Kimberley for most of his career- and lists many prominent stations – Legune- Newry- Rosewood- Argyle- Auvergne- Bradshaw and Victoria River Downs just over the Northern Territory Border. Stan has been painting for over ten years – he attends the Garma Festival regularly- regarded as one of Australia’s most important cultural events. He is a highly respected Jaru Elder and known teacher of language and culture. Through his Grandfather- he is regarded as one of the Traditional Custodians of the Wolf Creek Crater area- via Halls Creek. This area is the content of his strong- raw and realistic painting style. Stan was instrumental in assisting Dr. Peggy Reeves-Sanday- Professor of Anthropology at University of Pennsylvania- during her visits to his country. Dr. Reeves-Sanday’s father- geologist Frank Reeves- discovered the Crater after two expeditions on land following a flight over the area- and owed h
Stan Brumby / Badlands South of Karin
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Total: $820.00 Artlandish Aboriginal Art
Stan Brumby / Badlands South of Karin
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ARTIST PROFILE Stan Brumby Stan was born Halls Creek c. 1933. He worked as a stockman in the East Kimberley for most of his career- and lists many prominent stations – Legune- Newry- Rosewood- Argyle- Auvergne- Bradshaw and Victoria River Downs just over the Northern Territory Border. Stan has been painting for over ten years – he attends the Garma Festival regularly- regarded as one of Australia’s most important cultural events. He is a highly respected Jaru Elder and known teacher of language and culture. Through his Grandfather- he is regarded as one of the Traditional Custodians of the Wolf Creek Crater area- via Halls Creek. This area is the content of his strong- raw and realistic painting style. Stan was instrumental in assisting Dr. Peggy Reeves-Sanday- Professor of Anthropology at University of Pennsylvania- during her visits to his country. Dr. Reeves-Sanday’s father- geologist Frank Reeves- discovered the Crater after two expeditions on land following a flight over the area- and owed h
Stan Brumby / Four Fellow Dreaming
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Total: $845.00 Artlandish Aboriginal Art
Stan Brumby / Four Fellow Dreaming
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ARTIST PROFILE Stan Brumby Stan was born Halls Creek c. 1933. He worked as a stockman in the East Kimberley for most of his career- and lists many prominent stations – Legune- Newry- Rosewood- Argyle- Auvergne- Bradshaw and Victoria River Downs just over the Northern Territory Border. Stan has been painting for over ten years – he attends the Garma Festival regularly- regarded as one of Australia’s most important cultural events. He is a highly respected Jaru Elder and known teacher of language and culture. Through his Grandfather- he is regarded as one of the Traditional Custodians of the Wolf Creek Crater area- via Halls Creek. This area is the content of his strong- raw and realistic painting style. Stan was instrumental in assisting Dr. Peggy Reeves-Sanday- Professor of Anthropology at University of Pennsylvania- during her visits to his country. Dr. Reeves-Sanday’s father- geologist Frank Reeves- discovered the Crater after two expeditions on land following a flight over the area- and owed h
Bevan Tjampitjinpa / Sacred Rockhole - Spinifex Country
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Total: $850.00 Artlandish Aboriginal Art
Bevan Tjampitjinpa / Sacred Rockhole - Spinifex Country
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ARTIST PROFILE Bevan Tjampitjinpa Area: Ti Tree (200km North of Alice Springs) Language: Anmatjere Clan: Ti Tree (Pmara Jutunta) Dreaming: Ahgee (Bush Plum) Bevan Tjampitjinpa was born in Darwin and grew up visiting his homeland. Bevan studied in Darwin until Year 10 before moving to Ti Tree which is his Grandmother- Grandfather and Mother's country and later moved to live with his Elders on the Anmatjere Lands. He lived permanently with his Elders for the next ten years being taught the traditional ways and being initiated into the ceremonies and laws of the desert region. Bevan speaks fluent Anmatjere and knows the traditional law and how to hunt for bush tucker and bush animals Bevan was taught to paint by elders in his family. From an early age he was interested in his family's art and wanted to learn how it was done. Bevan was encouraged to use both brush and stick to produce traditional art which took him a number of years to perfect. Bevan was taught by Peggy Nungulla Reily- Beryl Pultura- Barbr
Bevan Tjampitjinpa / Emu Hunting
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Total: $850.00 Artlandish Aboriginal Art
Bevan Tjampitjinpa / Emu Hunting
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ARTIST PROFILE Bevan Tjampitjinpa Area: Ti Tree (200km North of Alice Springs) Language: Anmatjere Clan: Ti Tree (Pmara Jutunta) Dreaming: Ahgee (Bush Plum) Bevan Tjampitjinpa was born in Darwin and grew up visiting his homeland. Bevan studied in Darwin until Year 10 before moving to Ti Tree which is his Grandmother- Grandfather and Mother's country and later moved to live with his Elders on the Anmatjere Lands. He lived permanently with his Elders for the next ten years being taught the traditional ways and being initiated into the ceremonies and laws of the desert region. Bevan speaks fluent Anmatjere and knows the traditional law and how to hunt for bush tucker and bush animals Bevan was taught to paint by elders in his family. From an early age he was interested in his family's art and wanted to learn how it was done. Bevan was encouraged to use both brush and stick to produce traditional art which took him a number of years to perfect. Bevan was taught by Peggy Nungulla Reily- Beryl Pultura- Barbr
Roslyn Karadada / Wandjina Rock Art
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Total: $990.00 Artlandish Aboriginal Art
Roslyn Karadada / Wandjina Rock Art
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ARTIST PROFILE Roslyn Karadada Roslyn was born in Derby 19/04/62 and now resides with her husband Lenny and children in Kalumburu with the other members of her very talented family. She is the eldest daughter of Lily and Jack- and will carry on the tradition they have indelibly marked on the art world. She is of Gnurre skin and her Language is Woonambal. Ros is well educated and has studied language and culture which she teaches to the children of her Community. She travels within the region extensively with her husband- which is very fortunate as she is able to collect the finest soft slate which she carves to perfection- as well as her beautiful Boab Nuts- invariably featuring Wandjina images and rock art of her Kalumburu country. Roslyn is as comfortable with acrylic medium as she is with ochre- and with small paintings to huge works. She has developed a distinctive style of Wandjina art- with rather more emphasis on the bold strength of the Rain God – resulting in spectacular works. She is a strong
Bessie Nakamarra Sims / Ngarlajiyi Jukurrpa (Bush Carrot Dreaming)
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Total: $1,550.00 Artlandish Aboriginal Art
Bessie Nakamarra Sims / Ngarlajiyi Jukurrpa (Bush Carrot Dreaming)
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Ngarlajiyi is a tiny plant found growing on the side of creeks and in sandy soils and commonly called a bush carrot or small yam. It has a small edible tuber resembling a carrot. Its botanical name is Vigna lanceolata. The country associated with this Dreaming is Waputarli or Mount Singleton- to the west of Yuendumu. The central concentric hole represents Yilkirdi- a rockhole in the Waputarli area belonging to the same Dreaming. It also depicts the base of the Ngarlajiyi plant with its roots extending in the direction of the Dreaming. Napurrurla and Nakamarra women are custodians of the Dreaming and the country associated with it. In Warlpiri paintings traditional iconography is used to represent the Jukurrpa and other elements and concentric circles are often used to represent the plants with Ngarlajiyi fruit.This design is taken from women's ceremonial body painting.
Bevan Tjampitjinpa / Sacred Rockholes - Anmatjere Lands
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Total: $1,550.00 Artlandish Aboriginal Art
Bevan Tjampitjinpa / Sacred Rockholes - Anmatjere Lands
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ARTIST PROFILE Bevan Tjampitjinpa Area: Ti Tree (200km North of Alice Springs) Language: Anmatjere Clan: Ti Tree (Pmara Jutunta) Dreaming: Ahgee (Bush Plum) Bevan Tjampitjinpa was born in Darwin and grew up visiting his homeland. Bevan studied in Darwin until Year 10 before moving to Ti Tree which is his Grandmother- Grandfather and Mother's country and later moved to live with his Elders on the Anmatjere Lands. He lived permanently with his Elders for the next ten years being taught the traditional ways and being initiated into the ceremonies and laws of the desert region. Bevan speaks fluent Anmatjere and knows the traditional law and how to hunt for bush tucker and bush animals Bevan was taught to paint by elders in his family. From an early age he was interested in his family's art and wanted to learn how it was done. Bevan was encouraged to use both brush and stick to produce traditional art which took him a number of years to perfect. Bevan was taught by Peggy Nungulla Reily- Beryl Pultura- Barbr
Roslyn Karadada / Wandjina
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Total: $1,600.00 Artlandish Aboriginal Art
Roslyn Karadada / Wandjina
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ARTIST PROFILE Roslyn Karadada Roslyn was born in Derby 19/04/62 and now resides with her husband Lenny and children in Kalumburu with the other members of her very talented family. She is the eldest daughter of Lily and Jack- and will carry on the tradition they have indelibly marked on the art world. She is of Gnurre skin and her Language is Woonambal. Ros is well educated and has studied language and culture which she teaches to the children of her Community. She travels within the region extensively with her husband- which is very fortunate as she is able to collect the finest soft slate which she carves to perfection- as well as her beautiful Boab Nuts- invariably featuring Wandjina images and rock art of her Kalumburu country. Roslyn is as comfortable with acrylic medium as she is with ochre- and with small paintings to huge works. She has developed a distinctive style of Wandjina art- with rather more emphasis on the bold strength of the Rain God – resulting in spectacular works. She is a strong
Bessie Malarvie / Balgo Country
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Total: $1,650.00 Artlandish Aboriginal Art
Bessie Malarvie / Balgo Country
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ARTIST PROFILE Bessie Malarvie Bessie Malarvie was born 1st April 1958 at Kirkimbie Station in the Northern Territory. She is of Jaru (desert) skin. Bessie attended school at Halls Creek- however at age 13 was promised bride to a man living on Nicholson Station- adjoining Kirkimbie. She therefore had to cease her schooling and lived on Nicholson- carrying out domestic duties for the Manager- Len Hill. She says- as does International Artist Jock Mosquito who was head stockman on Nicholson and with whom Bessie grew up- that Len was a great person to work for. Bessie then moved for a short time to Mistake Creek Station- eventually relocating with her sister- artist Kitten Malarvie (sometimes spelt Moolarvie) to Kununurra in 1977. Both Bessie and Kitten recall the very early days of the fledgling town of Kununurra when there “wasn’t much here” and they both carved boab nuts and made artefacts for their bread- tea and sugar. Bessie had no children of her own- but has brought up many nieces and nephews.
Paddy Japaljarri Stewart / Janganpa Jukurrpa (Possum Dreaming)
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Paddy Japaljarri Stewart / Janganpa Jukurrpa (Possum Dreaming)
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The Jukurrpa for this work is at Mungapunju- a hill just to the east of Yuendumu. In the Dreamtime possums climbed this hill looking for food. They climbed by moonlight- moving from the hollow of one tree to another. As they traversed the sand their tails left sinuous tracks and their feet 'E' shaped prints. The kirda (owners) for this Country- Dreaming and Designs are Jungarrayi and Japaljarri men and Nungarrayi and Napaljarri women.
Stan Brumby / Wolf Creek Crater
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Total: $3,200.00 Artlandish Aboriginal Art
Stan Brumby / Wolf Creek Crater
Artlandish Aboriginal Art
( In stock )
Free P & P
ARTIST PROFILE Stan Brumby Stan was born Halls Creek c. 1933. He worked as a stockman in the East Kimberley for most of his career- and lists many prominent stations – Legune- Newry- Rosewood- Argyle- Auvergne- Bradshaw and Victoria River Downs just over the Northern Territory Border. Stan has been painting for over ten years – he attends the Garma Festival regularly- regarded as one of Australia’s most important cultural events. He is a highly respected Jaru Elder and known teacher of language and culture. Through his Grandfather- he is regarded as one of the Traditional Custodians of the Wolf Creek Crater area- via Halls Creek. This area is the content of his strong- raw and realistic painting style. Stan was instrumental in assisting Dr. Peggy Reeves-Sanday- Professor of Anthropology at University of Pennsylvania- during her visits to his country. Dr. Reeves-Sanday’s father- geologist Frank Reeves- discovered the Crater after two expeditions on land following a flight over the area- and ow
Stan Brumby / Wolf Creek Crater
Visit Store
Free P & P
Total: $3,200.00 Artlandish Aboriginal Art
Stan Brumby / Wolf Creek Crater
Artlandish Aboriginal Art
( In stock )
Free P & P
ARTIST PROFILE Stan Brumby Stan was born Halls Creek c. 1933. He worked as a stockman in the East Kimberley for most of his career- and lists many prominent stations – Legune- Newry- Rosewood- Argyle- Auvergne- Bradshaw and Victoria River Downs just over the Northern Territory Border. Stan has been painting for over ten years – he attends the Garma Festival regularly- regarded as one of Australia’s most important cultural events. He is a highly respected Jaru Elder and known teacher of language and culture. Through his Grandfather- he is regarded as one of the Traditional Custodians of the Wolf Creek Crater area- via Halls Creek. This area is the content of his strong- raw and realistic painting style. Stan was instrumental in assisting Dr. Peggy Reeves-Sanday- Professor of Anthropology at University of Pennsylvania- during her visits to his country. Dr. Reeves-Sanday’s father- geologist Frank Reeves- discovered the Crater after two expeditions on land following a flight over the area- and ow

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